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| 1 |
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| ISBN: | 978-0-520-20334-1 |
| Autor(i): | Balio, Tino |
| Naslov: | Grand design : Hollywood as a modern business enterprise, 1930-1939 / Tino Balio |
| Impresum: | Berkeley : University of California Press , 1995 |
| Materijalni opis: | ix, 483 str. : ilustr. ; 26 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | History of the American cinema ; v. 5 |
| Napomena: | Prvo izd.: New York : Scribner's ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, c1993. (History of the American cinema ; v. 5). - Str. 441-448: Bibliografija. - Kazala |
| Ključne riječi: | američka kinematografija * američki film -- Hollywood -- 1930-1939 * film -- SAD -- 1930-1939 |
| Sažetak: | 1. Introduction. -2. Surviving the Great depression. -3. The production code and the hays office / Richard Maltby. -4. feeding the maw of exhibition. -5. technological change and classical film style / david ordwell and Kristin Thompson. -6. Selling stars. -7. Production trends : Prestige pictures ; Musicals ; The woman's film ; Comedy ; Social problem films ; Horror films. -8. The B fim: Hollywood's other half / Brian Taves. -9. The poetics and politics of nonfiction: documentary film / Charles Wolfe. -10. Avant-garde film / Jan-Christopher Horak. -Appendixes : 'Variety's ' top-grossing films ; Major academy awards ; 'Film daily's' ten best films |
| UDK: | 791.43(73)"1930/1939" |
| Ostali autori / urednici: | Maltby, Richard ; Bordwell, David ; Thomposn, Kristin ; Taves, Brian ; Wolfe, Charles ; Horak, Jan-Christopher |
| Signatura: | 791.43 BALI G |
| Inventarni broj: | 07/471 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9082 |
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| 2 |
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| ISBN: | 0-299-14944-7 |
| Autor: | Bordwell, David |
| Naslov: | Convention, construction, and cinematic vision |
| Matična publikacija: | Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll |
| Impresum: | Madison, Win. : The University of Wisconsin Press, cop. 1996 |
| Ključne riječi: | film * teorija filma |
| UDK: | 791.43 |
| Signatura | 791.43 POS |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9384 |
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| 3 |
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| ISBN: | 0-299-14944-7 |
| Autor: | Bordwell, David |
| Naslov: | Contemporary film studies and the vicissitudes of grand theory |
| Matična publikacija: | Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll |
| Impresum: | Madison, Win. : The University of Wisconsin Press, cop. 1996 |
| Ključne riječi: | film * teorija filma |
| UDK: | 791.43 |
| Signatura | 791.43 POS |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9381 |
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| 4 |
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| ISSN: | 1330-7665 |
| Autor: | Bordwell, David |
| Naslov: | Naracija i prostor |
| Matična publikacija: | Hrvatski filmski ljetopis = The Croatian cinema chronicle / [Hrvoje Turković (glavni urednik)]. - God. 7 (2001), br. 25; str. 17- |
| Impresum: | Zagreb : Hrvatsko društvo filmskih kritičara : Hrvatski državni arhiv - Hrvatska kinoteka : Hrvatski filmski savez (izvršni nakladnik) |
| Napomena: | Bibliografske bilješke |
| Sažetak: | A single concept has dominated theoretical considerations of filmic space and position. Mainstream mimetic theories, much like diegetic theories, attribute every image to an invisible observer incarnated in the camera, making the observer at once narrator and spectator. The totalised space built up from editing is thus attributed to an idealised invisible withess, the occupant of an absolute position. The discourse becomes a series of views whose source is the viewer's position. Just as there is more to narration than the camera, claims David Bordwell, so is there more to cinematic space than effects of hte viewer's position. Instead of seeing the spectator as the apex of a literal or metaphorical pyramid of vision, we can treat the construction of space dynamically. The syuzhet's presentation of information can be facilitated or blocked by the style's representation in space. No theory of narration can omit the question of position, but it needs to be integrated into a broader account of how films mobilize spatial perception and cognition for storytelling ends. On an example of ideal positioning shot/reverse shot, Bordwell points to limitation of Jean-Pierre Oudart's suture theory. Oudart calims that in shot/reverse shot figure, the first shot enatios a spece offscreen, behind the camera, 'the fourth side, a pure field of absence'. The next shot in the seried reveals that something occupies that offscreen space...Bordwell thinks that Oudart makes a step towards the characterization of observational activities performed by the viewer - anticipation, recall and recognition of the space narration represents, however, introducing the phantom narrator as the amker of the first shot, he returns to the theory of the invisible observer. Suture simply designates certain aspects of the schemata that we activate in order to make spatial and causal sense of a scene's total space. However, as a theoretical concept, 'suture' is not an adequate explanation of now this proces occurs. |
| Ključne riječi: | pripovijedanje * naracija * film * teorija filma |
| UDK: | 791.43.01 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6900 |
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| 5 |
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| ISSN: | 1330-7665 |
| Autor: | Bordwell, David |
| Naslov: | Argumenti u prilog kognitivizma |
| Matična publikacija: | Hrvatski filmski ljetopis = The Croatian cinema chronicle / [Hrvoje Turković (glavni urednik)]. - god. 5 (1999), br. 19-20; str. 7-20 |
| Impresum: | Zagreb : Hrvatsko društvo filmskih kritičara : Hrvatski državni arhiv - Hrvatska kinoteka : Hrvatski filmski savez (izvršni nakladnik) |
| Ključne riječi: | teorija filma * kognitivizam * kognitivistička teorija - film |
| UDK: | 791.43.01 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6767 |
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| 6 |
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| ISBN: | 0-231-05881-0 |
| Autor: | Bordwell, David |
| Naslov: | Classical Hollywood cinema : narrational principles and procedures |
| Matična publikacija: | Narrative, Apparatus, ideology : a film theory reader / edited by Philip Rosen; str. 17-34 |
| Impresum: | New York : Columbia University Press, cop.1986 |
| Napomena: | Part 1: Structures of filmic narrative |
| Ključne riječi: | film * teorija filma |
| UDK: | 791.43 |
| Signatura | 791.43 NARR |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 5540 |
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| 7 |
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| ISBN: | 0-415-97779-7 |
| Autor(i): | Bordwell, David |
| Naslov: | Poetics of cinema / David Bordwell |
| Impresum: | New York ; London : Routledge , cop. 2008 |
| Materijalni opis: | xii, 499 str. : ilustr ; 26 cm |
| Jezik: | engleski |
| Napomena: | Bibliografske bilješke. - Kazalo |
| Ključne riječi: | film -- teorija * film -- stil * film -- poetika * film -- pripovijedanje |
| Sažetak: | I. Questions of theory : 1. Poetics of cinema ; 2. Convention, construction, and cinematic vision. -II. Studies in narrative : 3. Three dimensions of film narrative ; 4. Cognition and coomprehension 'viewing and forgeting in' Mildred Pierce ; 5. The art cinema as a mode of film practice ; 6. Film futures ; 7. Mutual friends and chronologies of chance. -III. Studies in style : 8. Cinecerity ; 9. Talking things to extremes 'Hallucinations courtesy of Robert Reinert' ; 10. CinemaScope 'The modern miracle you see without glasses' ; 11. Who blinked first? ; 12. Visual style in Japanese cinema, 1925-1945 ; 13. A cinema of flourishes: 'Decocrative style in 1920s and 1930s Japanese film ; 14. Aesthetics in action: kung-fu, gunplay, and cinematic expression ; 15. Richness through imperfection: King Hu and the glimpse |
| UDK: | 791.43 |
| Signatura: | 791.43 BOR PO |
| Inventarni broj: | III-3771, III-3969, III-3970 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 9289 |
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| 8 |
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| ISBN: | 0-674-54336-x |
| Autor(i): | Bordwell, David |
| Naslov: | Making meaning : inference and rhetoric in the interpretation of cinema / David Bordwell |
| Impresum: | London ; Cambridge, Mass. : Harvard University Press , cop. 1989 |
| Materijalni opis: | XVI, 334 str. ; 24 cm |
| Jezik: | engleski |
| Napomena: | Bilješke: str.[277]-328. - Kazalo |
| Inventarni broj: | 16081 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za filozofiju, http://www.knjiznice.ffzg.hr/filozofija |
| MFN: | 1770 |
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| 9 |
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| ISBN: | 90-279-3079-1 |
| Autor(i): | Branigan, Edward |
| Naslov: | Point of view in the Cinema : a theory of narration and subjectivity in classical film / Edward Branigan ; foreword by David Bordwell |
| Impresum: | Berlin [etc.] : Mouton Publishers , cop. 1984 |
| Materijalni opis: | XV, 246 str.; table : tabele ; 20 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Approaches to semiotics ; 66 |
| Napomena: | 1UVF. - Str. 231-232: Bibliografija |
| Ključne riječi: | film - teorija * semiotika filma |
| UDK: | 791.43 |
| Ostali autori / urednici: | Bordwell, David |
| Namjena : | poslijediplomski studij književnosti |
| Signatura: | 791.43 BRA P |
| Inventarni broj: | III-875, III-1746 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 1966 |
|
| 10 |
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| ISBN: | 0-07-006439-3 |
| Autor(i): | Bordwell, David |
| Naslov: | Film art : an introduction / David Bordwell, Kristin Thompson |
| Izdanje: | 3rd ed |
| Impresum: | New York..[et. al] : McGraw-Hill Publishing Company , (1990) |
| Materijalni opis: | 425 str. : ilustr. c/b i u bojama ; 25 cm |
| Jezik: | engleski |
| Napomena: | Meki uvez. - Bilješke i sažeci na kraju svakog poglavlja. - Str. 408-412: Rječnik. - Str. 413-414: Alternativni filmovi. - Str. 415-416: Zasluge. - Str. 417-425: Kazalo |
| Ključne riječi: | film |
| UDK: | ? |
| Signatura: | ? |
| Inventarni broj: | 91/1996 dS |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za povijest umjetnosti, http://www.knjiznice.ffzg.hr/povumjetnosti |
| MFN: | 3207 |
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| 11 |
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| 12 |
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| 13 |
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| ISBN: | 0-520-24622-5 |
| Autor(i): | Bordwell, David |
| Naslov: | The way Hollywood tells it : story and style in modern movies / David Bordwell |
| Impresum: | Berkeley [etc.] : University of California Press , cop. 2006 |
| Materijalni opis: | x, 298 str. : ilustr. ; 23 cm |
| Jezik: | engleski |
| Napomena: | Str. 243-271: Bibliografija. - Kazalo |
| Ključne riječi: | igrani film -- SAD * filmska industrija - SAD * igrani film - estetika |
| Sažetak: | A real story. -Continuing tradition, by any means necessary. -Pushing the premises. -Subjective stories and network narratives. -A certain amount of plot: tentpoles, locomotives, blockbusters, megapictures, and the action movie -- A stylish style. -Intensified continuity: four dimensions. -Some likely sources. -Style, plain and fancy. -What's missing? |
| UDK: | 791.43(73) |
| Namjena : | doktorski studij književnosti |
| Signatura: | 791.43 BOR W |
| Inventarni broj: | III-3004, III-3005 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8592 |
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| 14 |
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| ISBN: | 0-520-24197-5 |
| Autor(i): | Bordwell, David |
| Naslov: | Figures traced in light : on cinematic staging / David Bordwell |
| Impresum: | Berkeley [etc.] : University of California Press , cop. 2005 |
| Materijalni opis: | xii, 314 str. : ilustr., djelomično u bojama ; 26 cm |
| Jezik: | engleski |
| Napomena: | Str. 271-300: Bibliografija. - Kazalo |
| Ključne riječi: | igrani filmovi -- produkcija -- režija * ' auteur ' teorija -- igrani filmovi |
| Sažetak: | Staging and style. -Feuillade, or Storytelling. -Mizoguchi, or Modulation. -Angelopoulos, or Melancholy. -Hou, or Constraints. -Staging and stylistics |
| UDK: | 791.43 |
| Namjena : | doktorski studij književnosti |
| Signatura: | 791.43 BOR FI |
| Inventarni broj: | III-2989, III-2990 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8591 |
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| 15 |
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| ISBN: | 0-299-14944-7 |
| Naslov: | Post-theory : reconstructing film studies / edited by David Bordwell and Noël Carroll |
| Impresum: | Madison, Wi. : The University of Wisconsin Press , cop. 1996 |
| Materijalni opis: | xviii, 564 str. ; 23 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Wisconsin studies in film |
| Napomena: | Str. 553-560: Bibliografija. - Kazalo |
| Ključne riječi: | film * teorija filma |
| UDK: | 791.43 |
| Ostali autori / urednici: | Bordwell, David |
| Namjena : | poslijediplomski studij književnosti |
| Signatura: | 791.43 POST |
| Inventarni broj: | III-1453 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6914 |
|
| 16 |
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| 17 |
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| ISBN: | 0-07-118001-X |
| Autor(i): | Bordwell, David ; Thompson, Kristin |
| Naslov: | Film art : an introduction / David Bordwell, Kristin Thompson |
| Izdanje: | 6th ed |
| Impresum: | New York [etc.] : McGraw Hill , cop. 2001 |
| Materijalni opis: | xxii, 458 str. : ilustr. ; 26 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | McGraw-Hill higher education |
| Napomena: | International edition. - Bibliografija iza pojedinih poglavlja. - Kazalo |
| Ključne riječi: | film * filmska umjetnost |
| UDK: | 791.43.01 |
| Namjena : | poslijediplomski studij književnosti |
| Signatura: | 791.43 BOR F-6 |
| Inventarni broj: | III-1448 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6907 |
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| 18 |
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| ISBN: | 0-07-115141-9 |
| Autor(i): | Thompson, Kristin ; Bordwell, David |
| Naslov: | Film history : an introduction / Kristin Thompson, David Bordwell |
| Izdanje: | 2nd ed |
| Impresum: | Boston [etc.] : McGraw Hill , cop. 2003 |
| Materijalni opis: | xx, 788 str. : ilustr. ; 28 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | McGraw-Hill Higher Education |
| Napomena: | Str. 725-731: Bibliografija. - Kazalo |
| Ključne riječi: | film * povijest filma |
| UDK: | 719.43(091) |
| Namjena : | jedan primjerak za poslijediplomski studij književnosti |
| Signatura: | 791.43 THO F |
| Inventarni broj: | III-1450, 06/349, III-3938 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6905 |
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| 19 |
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| ISBN: | 0-674-00214-8 |
| Autor(i): | Bordwell, David |
| Naslov: | Planet Hong Kong : popular cinema and the art of entertainment / David Bordwell |
| Impresum: | Cambridge, Mass. ; London : Harvard University Press , 2000 |
| Materijalni opis: | xiv, 329 str. : ilustr. ; 26 cm |
| Jezik: | engleski |
| Napomena: | Bibliografske bilješke. - Kazalo |
| Ključne riječi: | film * Hong Kong * Kina |
| UDK: | 791.43 |
| Signatura: | 791.43 BOR P |
| Inventarni broj: | 02/216, 02/217, 02/218 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6770 |
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| 20 |
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| ISBN: | 0-691-00822-1 |
| Autor(i): | Bordwell, David |
| Naslov: | Ozu and the poetics of cinema / David Bordwell |
| Impresum: | Princeton : Princeton University Press , 1994 |
| Materijalni opis: | x, 406 str. : ilustr. ; 26 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Princeton paperbacks |
| Napomena: | Str. 395-400: Bibliografija. - Kazalo |
| Ključne riječi: | film * Ozu, Y. |
| UDK: | 791.43 |
| Namjena : | poslijediplomski studij književnosti |
| Signatura: | 791.43 BOR OZ |
| Inventarni broj: | III-1209 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6517 |
|
| 21 |
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| 22 |
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| ISBN: | 0-415-01877-3 |
| Autor(i): | Bordwell, David |
| Naslov: | Narration in the ficiton film / David Bordwell |
| Impresum: | London : Routledge , cop.1985 |
| Materijalni opis: | 370 str. : ilustr. ; 24 cm |
| Jezik: | engleski |
| Napomena: | Str. 359-361: Bibligrafija. - Kazalo |
| Ključne riječi: | film * teorija filma * pripovijedanje |
| Sažetak: | PART ONE: Some rheories of narration. -1. Mimetic theories of narration. -Perspective as narration. -Perspective and point of view in literature. -The invisible observer. -Eisenstein. Narration as scenography. -2.Diegetic theories of narration. -Film narration as metalanguage. -Film narration as enunciation. -PART TWO: Narration and film form. -3.The viewer's activity. -A sketch for a psychology of filmic perception and cognition. -Narrative comprehension. -Believing and seeing. -4.Principles of narration. -Fabula, syuzhet, and style. -Tactics od syuzhet construction. -Knowledge, self-consciousness, and communicativeness. -Narrator, author. -5.Sin, murder, and narration. -The detective film. -The melodrama. -6.Narration and time. -Features of temporal construction. -Temporal stratagems and spoils. -7.Narration and space. -Construction space. -Perspective and the spectator. -Ideal positionality: shot/reverse shot. -Cues, features, and functions. -Space in "The Confrontation". -PART THREE: Historical modes of narration. -8. Modes and norms. -9.Classical narration: The Hollywood example. -Canonic narration. -Classical style. -The classical spectator. -Seven films, eight segments. -10. Art-cinemy narration. -Objectivity, subjectivity, authority. -The game of form. -The art cinema history. -11. Historical-materialist narration: The Soviet example. -Narration as rhetoric. -Predictable fabula, unpredictable narration. -"The New Babylon". -Toward an interrogative cinema. -12. Parametric narration. -A new role of style. -Shapes and strategies. -The parameters of "pickpocket". -The problem of Modernism. -13. Godard and narration. -Schemata in conflict. -Soatializing narration. -Narrator and palimpsest. -1968 and after |
| UDK: | 791.43.01 |
| Signatura: | 791.43 BOR N |
| Inventarni broj: | 99/62 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3926 |
|
| 23 |
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| ISBN: | 0-674-54336-x |
| Autor(i): | Bordwell, David |
| Naslov: | Making Meaning : inference andrRhetoric in the interpretation of cinema / David Bordwell |
| Impresum: | Cambridge, Mass. ; London : Harvard University Press , 1991 |
| Materijalni opis: | 334 str. ; 23 cm |
| Jezik: | engleski |
| Napomena: | Kazalo |
| Ključne riječi: | film * teorija filma |
| Sažetak: | 1.MAKING FILMS MEAN. -Interpretation as construction. -Meaning made. -Interpretive doctrines. -2.ROUTINES AND PRACTICES. -Interpretation, Inc.. -The logic of discovery, or, problem-solving. -The logic of justification, or, rhetoric. -An anatomy of interpretation. -3.INTERPRETATION AS EXPLICATION. -The French connection. -Explication academicized. -Picture planes. -Meaning and unity. -4.SYMPTOMATIC INTERPRETATION. -Culture, dream, and Lauren Bacall. -Myth as antinomy. -Systéme á la mode. -The contradictory text. -Symptoms and explications. -5.SEMANTIC FIELDS. -Meaning in structures. -Structures of meaning. -The role of semantic fields. -6.SCHEMATA AND HEURISTICS. -Mapping as making. -Knowledge structures and routines. -Mapping as modeling. -7.TWO BASIC SCHEMATA. -Is there a class for this text?. -Making films personal. -8.TEXT SCHEMATA. -A bull's-eye schema. -Meaning, inside out and outside in. -Textual tajectories. -Doctrines into diachronies. -9.INTERPRETATION AS RHETORIC. -Sample strategies. -Theory talk. -10.RHETORIC IN ACTION: SEVEN MODELS OF "PSYCHO". -Jean Douchet, "Hitch and his public". -Robin Wood, "Pxycho", Hitchock's films. -Raymond Durgnat "Inside Norman Bates", films and feelings. -V. F. Perkins, "The World and its Image", film as film. -Raymond Bellour, "Psychosis, neurosis, perversion". -Barbara Klinger, "Psycho: the institutionalization of female sexuality". -Leland Poague, "Links in a chain: Psycho and film classicism". -11.WHY NOT TO READ A FILM. -The ends of interpretation. -The ends of interpretation?. -Prospects for a poetic |
| UDK: | 791.43.01 |
| Signatura: | 791.43 BOR M |
| Inventarni broj: | 99/61, 02/290 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3925 |
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| 24 |
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| ISBN: | 0-299-14944-7 |
| Naslov: | Post-theory : reconstructing Film Studies / edited by David Bordwell and Noël Carroll |
| Impresum: | Madison, Wi. : The University of Wisconsin Press , cop. 1996 |
| Materijalni opis: | 564 str. ; 23 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Wisconsin studies in film |
| Napomena: | Str. 553-560: Bibliografija. - Kazalo |
| Ključne riječi: | teorija filma * film |
| UDK: | 791.43.01 |
| Ostali autori / urednici: | Bordwell, David |
| Signatura: | 791.43 POS |
| Inventarni broj: | 98/98 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3811 |
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| 25 |
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| ISBN: | 953-7033-13-9 |
| Autor(i): | Bordwell, David |
| Naslov: | O povijesti filmskoga stila / David Bordwell ; predgovor hrvatskom izdanju David Bordwell ; prijevod s engleskoga Mirela Škarica |
| Impresum: | Zagreb : Hrvatski filmski savez , 2005 |
| Materijalni opis: | 392 str. : ilustr. ; 25 cm |
| Jezik: | hrvatski |
| Nakladnička cjelina: | Edicija Filmološke studije ; br. 4 |
| Napomena: | Prijevod djela: On the history of film style. - Bibliografske bilješke. - Kazalo |
| Ključne riječi: | teorija filma -- stil * filmski stil -- povijest |
| Sažetak: | 1. Izgled filmova: važnost stilske povijesti. -2. Obrana i definicija sedme umjetnosti : standardna verzija stilske povijesti: Repertoar u razvoju: temeljna priča ; Filmska kultura i temeljna priča ; Standardna verzija: središnje pretpostavke ; Prilagodba na zvuk ; Bardeche, Brasillach i standardna verzija. -3. Protiv sedme umjetnosti : André Bazin i dijalektički program: Nova avangarda ; Evolucija filmskoga jezika ; Prema nečistom filmu ; Od stilske povijesti do tematske kritike. -4. Povratak modernizma : Noël Burch i opozicijski program: Radikaliziranje forme ; Institucionalni modus i njegove alternative ; Žive sjene i udaljeni promatrači. -5. Mogućnosti napretka : suvremeni istraživački programi: Parcijalistička povijest ; Kultura, pogled i vječno novo ; Problemi i rješenja. -6. Iznimno točne percepcije : o dubinskoj inscenaciji: Ideologija i dubina ; Kako sliku učiniti razumljivom? ; Nijemi dojmovi ; Dubina, raskadriranje i pokret kamere ; Redefiniranje mizanscene ; Širenje slike i sažimanje dubine ; Eklektičnost i arhaizam. -Bilješke. -Kazalo |
| UDK: | 791.43.03 * 791.43(091) |
| Namjena : | četiri primjerka za poslijediplomski studij književnosti |
| Signatura: | 791.43 BOR OP |
| Inventarni broj: | III-2243, III-2244, III-2245, 06/14, 06/15, III-2656, III-3542, III-3543 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8119 |
|
| 26 |
|
| ISBN: | 0-415-00383-0 |
| Autor(i): | Bordwell, David ; Staiger, Janet ; Thompson, Kristin |
| Naslov: | The classical Hollywood cinema : film style & mode of production to 1960 / David Bordwell, Janet Staiger, Kristin Thompson |
| Impresum: | New York : Columbia University Press , cop. 1985 |
| Materijalni opis: | 506 str. : ilustr. ; 25 cm |
| Jezik: | engleski |
| Napomena: | Str. 480-491: Bibliografija |
| Ključne riječi: | filmska umjetnost -- Hollywood * film -- stil * filmska produkcija |
| Sažetak: | Part one: The classical Hollywood style, 1917-60 / David Bordwell : 1. An excesively obvious cinema ; 2. Story causality and motivation ; 3. Classical narration ; 4. Time in the classical film ; 5. Space in the classical film ; 6. Shot and scene ; 7. The bounds of difference. -Part two: the Hollywood mode of production to 1930 / Janet Staiger : 8. The Hollywood mode of production: its conndtions of existence ; 9. Standradization and differentiation: the reinforcement and dispersion of Hollywood's practices ; 10. The director system: management in the first years ; 11. The director-unit system: management of multiple-unit companies after 1909 ; 12. The central producer system: centralized management after 1914 ; 13. The division and order of production: the subdivision of the work from the first years through the 1920s. -Part three: The formulation of the classical style, 1909-28 / Kristin Thompson : 14. From primitive to classical ; 15. the foumulation of the classical narrative ; 16. The continuity system ; 17. Classical narrative space and the spectator's attention ; 18. The stability of the classical approach after 1917. -Part four: Film style and technology to 1930 : 19. Technology, style and mode of production / D. Bordwell and J. Staiger ; 20. Initial standardization of the basic technology / K. Thompson ; 21. Major technological changes of the 1920s / K. Thompson ; 21. Major technological changes of the 1920s / K. Thompson ; 22. The Mazda test of 1928 / D. Bordwell ; 23. The introduction of sound / D. Bordwell. -Part five: The Hollywood mode of production, 1930-60 / Janet Staiger : 24. The labor-force, financing and the mode of production ; 25. The producer-unit system: management by specialization after 1931 ; 26. The package-unit system: unit management after 1955. -Part six: Film style and technology, 1930-60 / David Bordwell : 27. Deep-focus cinematography ; 28. Technicolor ; 29. Widescreen processes and stereophonic sound. -Part seven: Historical implications of the classical Hollywood cinema / David Bordwell and Janest Staiger : 30. Since 1960: the persistence of a mode of film practice ; 31. Alternative modes of film practice. -envoi : Appendix A: The unbiased sample ; 32. Appendix B. A brief synopsis of the structure of the United States film industry, 1896-1960 ; Appendix C: Principal structures of the US film industry, 1894-1930 ; Appejdix D: LIghting plots and descriptions |
| UDK: | 791.43.03(73) |
| Namjena : | dva primjerka za doktorski studij književnosti |
| Signatura: | 791.43 BOR CLAS |
| Inventarni broj: | 98/97, III-3649, III-3650 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3812 |
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